Sunday 2 January 2011

Sometimes you can over-egg a pudding!

Happy New Year! Happy 2011!

There's so much exciting stuff and this year actually promises to be a really exciting one on the music front. 2010 truth be told was a bit of a let down after 2009 but this year, this promises to be pretty darn good.

So since I promised to unleash a whole raft of posts, we'll start the new year with a strange one of sorts. A few months back I was ask to review an album, which at first I'll be honest made me think something was amiss but alas not. I'm always dubious about doing things like that because there's always the fear of not liking what you're listening to and then feeling obligated to either write something that's not truthful or writing something negative which perhaps wasn't the expectation of the person asking you to review it in the first place.

So this one's been a bit of a tricky one because I've really struggled to connect with it and like it but then I'd struggled to figure out why until a 5am journey home on New Years Day in a slightly tired state so until I got my head into the right place, didn't want to review it.

So the album is question is "Trust" by LA-based Singer/Songwriter/Guitarist Gary Melvin. The interesting thing about Gary is unlike most singer/songwriters, he appears to be a guitarist first and foremost with years of experience rather than a songwriter. In fact amongst his credits lies a stint working with Rock and Roll Hall of Famers Frankie Valli and the Four Seasons (that's the type of pedigree we're talking about here with the guitar).



So with that pedigree in mind it's no wonder Trust is filled with catchy guitar riffs, great electric solos and clever arrangements. It's an interesting album of Pop/Rock tunes and some of it by definition I should really love but and here's the big but, for me personally it's a bit forgettable. That sounds harsh and it's not meant to be and it was only driving home at 5am on New Years Day I finally figured out why, I had the "lightbulb" moment.

See Gary has a very "sweet" (not in that sense!) rounded voice (parts of Gary's voice remind me of Dan Wilson of Semisonic and Trip Shakespeare fame), it's soft and a little understated. Here's the thing though, being a great guitarist, he knows how to craft a great song, play some downright incredible solos and fire out a catchy tune BUT it's all just a bit too much for such a delicate voice. I found that my ear spent more time turned towards the guitars instead of the vocals which means the songs themselves or rather the lyrics pretty much get lost so it's really hard to connect that link to them.

Where you really get to see Gary's talent laid very bare is in two or three songs where the heavy guitars are throttled back a bit and the ear focuses on the vocals and the lyrics a bit more easily. "Bring Love Alive" and "Angel Moon" work really well and the final track on the album "Who's Gonna Save You" just about hits the mark perfectly between that polar mix I've been writing about between guitars and vocals.

All in all it's an interesting album by a musician clearly developing his talent and refining what he wants to do with his immense talent. It's not one of those I could definitely say go and buy it, it's not one of those I'd say don't buy...it's one of those to take a listen to and make your own opinion on.

In fact having checked Gary's website you can actually download both his albums for any price (even free) at his Bandcamp page. But if you like what you hear you'd surely pay something towards it wouldn't you? Seriously, I know times are still a bit tough but don't be an a-hole ok?!?!

Regardless of anything though that is one amazing guitarist and I am slightly (no, no, more more than slightly) envious of such a talent!

Peace xxx